An imperfect rendition that nevertheless features a phenomenal lot of wit and talent, Sir Andrew Lloyd Webber's adaptation of Phantom to the big screen is big on trompes l'oeil and clever little twists. I am told that there are many "pleasant surprises" even for those who are thoroughly familiar with the theatre production, of which I have only experienced the soundtrack. Certainly there was enough delicious anticipation on my part for each number.
Emmy Rossum has a flawless voice, which is doubtless why she was cast in the film. As
Gerard Butler was a suprisingly good phantom, and I was actually very impressed with his singing. He put just the right inflections into his words, and though some of his performances felt like imitation of Michael Crawford, I think he looked considerable more visually imposing. One gets a much stronger sense of the phantom's virility from him. (But what would one expect from "Dracotillaphantiwulf"?)
The actor who played Raoul sang his parts well, but was otherwise less than memorable, as I suppose befits the part. As for the rest of the cast: they were adequate, if not shining. The melodramatic actors who played the "new theatre owners" were hand-wringingly over the top. The actress who played Meg Giry stood out a bit, even though she had few speaking or singing parts save for the first duet of "Angel of Music" with Emmy. Was it just me, or did she remind you of Renee O'Connor (Gabrielle on Xena: Warrior Princess)?
My only critique of the movie musical is that despite all the great singing, good costumes, and decent acting, it misses something of the majesty of the theatre version. There's actually something to be said for having a mist-filled black stage with movable sets instead of a real cave, or outdoor scenes. Somehow the sun, the touching little framing story with its flashbacks, the fuller cast of the opera company, and the plethora of extras seem to distract a bit from the poignant central theme.
Being a sucker for the story itself, of course, I have to say it was a very enjoyable film. I look forward to someday watching a theatre production of Phantom.
7.5 / 10
Techno-Samurai Cosmo-Bunnies: Massforge recruitment continues apace: first
masaga: So what do you want as the logo?
banazir: Hrm, good question. Something fun, that evokes an orc army but doesn't look like too much of a Lord of The Rings or Warcraft ripoff? (Ponders.) Ever see Usagi Yojimbo?
masaga: Um, I don't think so.
banazir: The samurai rabbit?
masaga: Oh, him. Yes, I've heard of him.
banazir: Or a space battle. Think a couple of ships full of space marines trying to board each other in zero-grav.
masaga: Or both?
banazir: ... or both, yes! Good idea. Space bunnies. There's even a Space Usagi, if I recall correctly.
masaga: With half-cyborg faces?
banazir: Even better.
masaga: So, like, cybersamurai... space bunnies... [My GF] has a fairly anime-ish drawing style.
banazir: Oh, that's perfect.
masaga: It just keeps getting cooler and cooler. With armor?
banazir: Yes, clone trooper-like armor. Maybe Uruk clones. It will remind people of the cybergoats and the atomic supermen.
masaga: The what?
banazir: Oh, you never saw that "Switch to Linux" animated cartoon?
masaga: No, I remember you mentioning it...
banazir: Hang on... [brings the Flash animation up on Varda, the dual G4 PowerMac]
masaga: [Laughs] That's great. Artificial cybergoats.
banazir: Genetically-engineered cybergoats. And a Beowulf cluster of atomic supermen. And space bunnies.
masaga: That's good. Especially since I have an ambition to be an orbital brain laser someday.
So there you have it. Think Episode III meets Usagi Yojimbo and you've got an idea of it.
In other news, I slept eight hours last night and feel fairly bloated, like orange marmalade that has been scraped over too much homemade bread.
--
Banazir